Okay, now for something a little cheerier than my last post.
It’s August! Which means if you live in Edinburgh, it’s the most expensive time of year! (But also the best time of year.) It’s the FESTIVAL. And when I say “the festival”, I mean it’s actually a whole bunch of festivals including but not limited to: The Edinburgh International Festival, The Edinburgh Fringe Festival, and The Edinburgh International Book Festival. And I have spend hundreds of pounds on tickets. I tried to save some money in July to prepare, but I still managed to catch up with some good pals from Aus (Picks, Amy, Alison, Tim, and Helen), go to the Real Mary King’s Close (finally! A super cool underground Edinburgh tour), and go to the Harry Potter and the Cursed Child launch party at Waterstones (insanely fun. Totally worth the $ and nerd points).
But now August has begun, and with it, the Fringe! So far I’ve seen eight shows. I’m going to summarise them super briefly because I aim to do the same for every event I go to this month and it’s going to get real lengthy real quickly if I’m not careful.
Paper Hearts: The Musical – really sweet musical set in a bookshop, jumping between today’s world and the world of the novel that the protagonist is writing (war-torn Russia). The music was outstanding, and the cast doubled as the orchestra, a bit like in Once.
S’Pun – pretty much an hour-long stream of puns. Look, it was great. We sat in the front row and got roped into lots of good bits, and I didn’t want to throw myself out a window when it finished which is how I usually feel about puns, so well done Darren Walsh.
Jane Eyre: An Autobiography – a one-woman version of Jane Eyre by a truly consummate actress. Her energy amazed me. I often find it a little awkward when so many characters are being crammed into one space, but she pulled this off with aplomb.
Rhapsodes – saw these guys in Bath earlier this year and fell in love, so I took Sean along with me this time and they were just as brilliant. They improvise a new “Shakespearean” play, making sure they stick to all sorts of complicated rhyme schemes and using material suggested by the audience. Sean and I became characters in the play (represented by masks) in a segment on Brexit…
Dolly Wants to Die – with Helen Monks aka Germaine from Raised by Wolves!! She plays a doll who is suicidal but can’t kill herself because…she’s a doll…actually had some poignant things to say about the state of the world today and the poverty and anxiety currently bulldozing our generation.
The Bookbinder – creepy, Gaiman-esque fairytale about an apprentice bookbinder and his adventures, with some truly beautiful props to help tell the tale. So nice to hear a New Zealand accent as well! Done by Trick of the Light theatre.
Nzinga, Warrior Queen – Mara Menzies is an amazing performer and I was sitting next to her mum in the audience! This is a true story about a seventeenth century African queen who defended her people from the invading Portuguese forces.
Leaf by Niggle – this was recommended to me by a dear friend because she has read the short story it is based on. It’s by Tolkien! One man tells the story to us, but before he does, he shows us all the beautiful props and artefacts that he’s going to use and tells us their real history, all from his family attic. Just gorgeous.
So that was a full weekend, and it’s back to work tomorrow. There are plenty more events to fit in over the next few weeks though…